A home for the things I think are worthy of sharing. Will largely be photography based.

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Gig: Jake Bugg, Hudson Taylor, Misty Miller at Ally Pally

Have a busy week this week – three gigs in a row.

This was Jake Bugg’s concert at Alexandra Palace last night.

Misty Miller

Hudson Taylor

Jake Bugg

Please do not copy, download or hotlink. All Rights reserved.

Gig: Dan Croll, Panama Wedding + Farao

Another gig job.

This time at Koko (London) last week.

Unusually there were two support acts – Panamo Wedding + Farao.

Here’s some Spotify links for you:

Farao

Panama Wedding

Dan Croll

 

Dan Croll himself was a bit tricky to photograph as he has rather a large microphone and often would stay very close to it.

 

Farao

 

Panama Wedding

 

Dan Croll

 

 

Gig: Ben Howard + Hozier at iTunes Festival

Continuing with showing some recent gig photography.

This was Ben Howard supported by Hozier at iTunes Festival – Roundhouse, Camden.

 

This one was a little different to the norm “First three songs no flash” in that we could only be there in the pit for songs four and five for Ben Howard. True to form – lighting for the main act (Ben Howard) was a bit more quirky – ah well.

Hozier

Ben Howard

Please no copying, using, downloading or hot-linking : All rights reserved.

Gig photography

As of January the Image library/photography agency I work for were bought by a larger company that does much the same – but in addition they also do news photography. This includes news items, premiers and red carpet and also gigs and festivals.

As most of these are of course in the evening I can do them as well as a day job (IT for said image library/company).

The system works via a library manager – they compile a list of suitable gigs and then just before the month starts mails this out to all photographers looking to cover gigs. The photographers then mail their preference back within a couple of days plus any extras they may want to cover that may not have been on the list. The diary manager then allocates these as they fit – a mix of quality, reliability, any others wanting to cover the same event etc. They then send off for access/pass. These aren’t guaranteed – and often are only confirmed a day or two before the gig.

So I’ve started asking for a few gigs as and when I can do them. I’m choosing on a mix of when I’m free, if there are any gigs I fancy, and if I think any are news-worthy i.e. the pictures may sell. So far I’ve had a couple of nice gigs. Some medium to high profile, others less so.

Here are a couple of galleries from recent shows, I will try to upload more as I cover them.

Please note that all rights are reserved – please do not copy, download or hot-link to these images, thanks.

Bastille supported by Kyla La Grange At Somerset House

Train at 100 Club

Benjamin Booker at 100 Club

Calvin Harris supported by Kiesza at iTunes Festival

This one was a bit tricky – allowed in the pit for Kiesza – but as calvin Harris was up in a tall DJ booth we had to go to the back tier of Roundhouse and shoot with telephotos. Alright for some – one of the Getty guys had the Getty 400mm f2.8 – a £7.3K lens!

Luke Sital-Sing supported by Karima Francis at Scala

 

I’ve also done one of the days of the festival “On Blackheath” and Ben Howard / Hozier at iTunes Festival – I’ll look to show a few of these later.

Mixing Nikon CLS + traditional radio trigger

Requirement/issue

At a recent event I tried to use an on-camera speedlight (SB-800) as a master  and a off-camera speedlight (again SB-800) in a CLS  setup where I would hopefully use the off-camera flash as a silhouette light.

(CLS = Nikon Creative Lighting System – where you can remotely fire flash using TTL – either with the on-bard flash (on some cameras) or another speedlight set to master. As well as using TTL you can also add compensation values to each group of remotes from the master.)

Although I’d tested them before getting into position (so channels and groups were fine) – the remote flash just didn’t fire. It was relatively in line of sight so that shouldn’t have been the issue, however with the speedlight facing forward the detector would be at the side of the speedlight and it was behind a shoot-through umbrella. I now think that possibly the combination of these meant that the signal from the master speedlight wasn’t getting through to the remote. It was also in a party environment so there were other lights which may have caused issues.

Turning the shoot-through umbrella to a bounce one may have worked (it’s a convertible umbrella), but there wouldn’t have been time for that.
Taking the umbrella off may have also helped, I should have tried this but alas didn’t.

 

In the past I’ve used a remote flash like this but using a radio trigger rather than Nikon CLS system.
I didn’t go for this setup on this occasion as I needed a on-camera speedlight as it was too dark without it.
So alas I made do without the remote speedlight.

 

After the event I investigated the option of using an on-camera speedlight but also a radio-triggered remote and my results are below.

 

Only one Hotshoe

The initial issue is that cameras only have one hotshoe. The on-camera Speedlight obviously needs to go in this. However most radio-triggers are also designed to go in this. They both can’t.

 

Other connectors

Thankfully there are a set of other connectors available.

PC socket: The PC socket is the standard/traditional method of firing flash via a cable.

My D800 has one:

D800 PCSync

And so does my SB-800’s:

SB800 PC Sync

 

Usually you’d use the PC sync on the speedlight to fire the speedlight itself i.e. incoming signal. However it appears that this socket is by-directional.

 

Sync Connector: It transpires that in addition to having the Skyport trigger via the hot-shoe there is also an additional SYNC connector:

SkyportTransmitter

 

Cable

The Sync connector on the Speedlight is smaller than the usual jack – it’s a 2.5mm jack socket rather than 3.5.

So the cable needs to be a 2.5mm jack to PC sync connector.

Thankfully one of these is supplied with skyport transmitters. I hadn’t taken it out of the wrapper let alone out of the box so I wasn’t really aware of it until investigating this issue.

31RuLRcitwL._SY300_

 

Connection + Test

I wasn’t sure if it would work correctly and wasn’t sure which PC sync to use – the camera or the speedlight. My thoughts were that if the on-camera speedlight was in TTL that there may be a flash sync speed issue, particularly with the TTL pre-flashes. So I tried both.

Standard settings – both worked.

Pushing shutter speed up to 1/250th – both worked!
(My skyport are the “SPEED” variety so are faster than the older non-speed variety)

 

To reiterate, the setup is:

Remote Speedlight: Set to manual power, skyport receiver plugged in to the PC sync port.

On-camera Speedlight: Set to TTL, mounted on camera hotshoe.

Skyport Trigger: Connected by above cable, to PC sync port of either camera or on-camera speedlight.

 

So in future I may try this in such scenarios. It’s handy to know that it’s possible to mix TTL/CLS and manual radio triggering.
Worth noting of course – since operated by a standard “GO” signal radio trigger- you can’t control the power from the camera. Pocket wizard have made TTL capable radio triggers (FlexTT5/MiniTT1 for firing and AC3 controller for varying power) but they’re considerably more expensive that simpler radio triggers that just send a “go” command.

 

Mounting Trigger

Found an additional issue worth noting:

Not wanting the skyport trigger dangling by a cable which can come out I considered mounting the trigger to the speedlight via something like velcro or elastic. In testing this I found that if you place the trigger flat against the speedlight – trigger: the flat side with buttons, speedlight: on top of the flash head – that the signal would not get to the receiver. I imagine this is due to interference from the pulse of the speedlight firing. Instead I think I’ll attach the trigger to the side of the speedlight with elastic.

Paris through the viewfinder of a Pentax 67

Love this so much I thought I’d share.
Simple but effective and very inspiring in wanting me to take the camera out.

If interested there’s some behind the scenes stuff here : http://petapixel.com/2014/08/23/stunning-video-paris-captured-viewfinder-old-pentax-67/

The Long Game : Inspiration to keep going

During my usual lunchtime blog viewing I came across a couple of videos I thought I’s share.

I love inspiration videos – of various guises – to create art, help those around you, share knowledge, find new skills etc and these are similar but a little different. They show how we shouldn’t give up – that over much of time “success” (however you judge that) often isn’t a quick thing, isn’t immediate. I think the films are correct in stipulating that in the modern age we’re used to getting everything quickly – the hear and now – which can mean we’re more impatient than we used to be. So hopefully they may help anybody who thinks it’s too late for them to “make it” or similar.

I do feel this occasionally – photography is my passion however not my career – I work in IT, but at least in a photography related industry. As with many people with a passion but not profession in such field I sometimes wonder if I could/should/would be any good as a professional photographer – but also think that maybe at 38 it could be too late. Thankfully it’s never too late …. or so say these videos ;)

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