A home for the things I think are worthy of sharing. Will largely be photography based.

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Terrence Higgins Trust – Walk for Life 2012

On Sunday I did my usual stint of charity work – covered the Terrence Higgins Trust sponsored walk- the walk for life.

A few years ago I thought it would be nice to do something worth-while with my photography and asked around so see if there’s anything I could do. At the time my friend Michael (a.k.a. Funtime Mikey) worked for an AIDS and HIV charity called Crusaid who organised the Walk for Life charity event and he put me in touch with it’s organisers. Since then I’ve covered it a few times (My sieve of a memory has lost count) and since then Crusaid merged with Terrence Higgins Trust.

The walk starts and ends at Potters Field Park – between Tower Bridge and the Greater London Authority building – a great location.

Had celebs Sugar Dandies and Sarah Cawood starting the race.

In the end there were performances from Louise Dearman, 4 Corners and Freddie impersonator.

People always dress up and there’s a great vibe lending itself to some fun photos. Thankfully didn’t rain but it was a bit on the cold side and was overcast. Means no nice blue skies for photos alas. Having done these before I’ve learnt that ins such conditions a pop of flash is handy to illuminate faces and some exposure compensation is sometimes needed as the light overcast sky can trick camera metering if you use it (which I do).

As I currently have more free time – may be worth looking for other such charities/events that could do with some photography.

EDIT: Here’s a link to the THT set on Facebook : https://www.facebook.com/media/set/?set=a.10150909225967332.433512.6316017331&type=1

Here’s a very abridged gallery of photos:

Food Shoot : Wheat Free Cakes

Continuing my run of product shoots this last week I did my first food photoshoot!

This was for my friend Maxine who’s starting a new business – Wheat Free Cakes.

Here’s a quick selection:

Food photography tends to have re-occurring elements, and since her business is just starting and this is my first food shoot I thought might as well stick to those, give or take:

  • Shallow depth of field
  • Light or Hi-key
  • Natural light as much as possible
  • Warm/homely tones such as wood surfaces

We shot on Maxine’s dinning room table: Wood – check ;)

Aperture wise they were shot around f2.0 to f2.5 on my 50mm f1.4 lens. Looking at them in more detail – I think I should have stuck around the f2.5 mark, or possibly even more – as the closer you get to something (aka focal distance is shorter) the depth of field gets shallower for a set aperture.

For the light – the table was close to patio doors and there was sufficient light to shoot at shutter speeds of 1/250 to 1/160 at ISO 100-160 – so light – check. Thankfully it was also a slightly overcast day – although this might be bad for landscape photography it can be very good for other types of photography as it totally softens the light reducing or completely removing shadows. Great for this purpose.

So go view + join her Facebook page at : https://www.facebook.com/LoveWheatFreeBaking

And maybe even buy some cakes – Yum.

DIY Softbox grid / egg-crate

I have a couple of long + tall softboxes, what I guess you could call strip softboxes.

A cheap one that keeps breaking but came with lots of additions such as a grid/egg-crate and a nice one from Interfit (SLBR412 – 120cm x 40cm) that didn’t.  I initially bought the big Interfit strip to use as a main light – for even whole body lighting – but on occasion and more recently I’ve been using it as a rim-light. However due to it’s size (particularly 40cm width) the spill from it is quite significant. So I started looking for a grid for it.

The task was not very easy. I even e-mailed Interfit and they couldn’t suggest anything. Having looked around I seem to remember  (it was a while ago now) finding a custom maker that would make it for about £150 from the states – more than the cost of the actual softbox! (about £100). 120×40 cm was a tricky size too as other manufacturer strips seem to be about 120×30 cm.

So I decided I’d try to make my own, how hard can it be ;)

I found a few online examples of making DIY softbox grids and took some inspiration from those (See References below).

 

 

Design

Since I had a pre-existing one I thought I might as well replicate that ones as it seems to work fairly well.

Material wise – it was made out of some form of thin but stiff material/webbing. Since I have no idea about material really, or more so about something unusual like this I just went into a haberdashers and asked what they had was black and fairly stiff. Just happens I was in John Lewis looking for something else (think blackout material) so asked them. They directed me towards “Bolton Twill” saying that another photographer had used some recently! In fact they’d taken almost the last of it so I had to order in. Bit foolish of me really as I hadn’t done any measurements at that point.

Dimensions wise I kept with the existing squares dimensions 6.5cm x 6.5cm and also the same depth – approx 4cm as this softbox has an extending edge from the diffuser panel – as per the cheap one.

I followed the design pattern used by Adriel Henderson give or take a few minor changes. I cut a couple of lengths that were long enough for a side and and a top/bottom – so 120cm + 40cm = 160cm, which would server as the outside edge. For the boxes followed this plan (see diagram). This is the view as seen if looking directly at the softbox. These strips of fabric would also be approx 4cm deep.

The Blue points = the contact points where you join them. (I’ve only displayed for the first strip)

The Red areas = As per Adriel’s design – there is a bit of doubling up where a length of the strip will cover an existing portion of fabric.

I did find an alternative design (sorry I can’t find the link to reference now) which would do away with this doubling up BUT:

  • It would mean marking out and cutting a fair few more strips.
  • The strips would be of varying lengths – so more work/time consuming
  • I had enough fabric to not worry about this doubling.
The layout would be something like this, I hope you can understand the colours. Rather than going down in squares, the strips go diagonally down in zig-zags.
I designed the layout in Excel and added the numbers for the lengths so that I could easily sum the columns and get the lengths of the strips I needed to mark out and cut.

Equipment/Material

All materials/equipment used:

  • Material – Bolton Twill ~ 3m – £27
  • Fabric Scissors ~ £7
  • Hand held sewing machine – £4
  • Thread £1
  • Bobbin – £0.60
  • Stick-on Velcro (hooks)  ~4m – £6
  • Fabric glue – £3
  • Chalk to mark out lines – already had.
So in all a cost of roughly £39 for the materials that went into it and additional £11 for the scissors and sewing machine which I will use again. I have a fair amount of the fabric left so could try to make something else like spill-kills.
Of course – it cost a fair bit of my time – but having a bit of spare time at long last and ability to do this while at home watching TV/a film – it really isn’t too bad.
Initially I was only going to glue the fabric together but I saw mention of a hand sewing machine somewhere and thought, what the heck. I’m glad I did – although this sewing machine had it’s faults – sewn joins are probably a lot firmer than glued.
The little hand sewing machine was one of these:

I had considered buying a mini proper sewing machine – you can get them for £20-40 but rejected it as it would take up space later, and I thought the above would be more suitable as I could sew up into the grid holes, while a larger machine would have issue with sewing parts already stuck to existing small holes – the holes wouldn’t be able to fit…. but I was mistaken – more on that later.

Production Notes

Although 6.5cm squares don’t fit into 120cm evenly – I thought I should round up to the whole square as it’s not a bad thing having a grid slightly too large – better than one that’s too small.

Parts

So for the outside edges I needed to cut 2 strips of  124+39 + 2cm spare = 165cm (+ spare if there was)

For the vertical zig-zag sections I had to cut 6 strips of 241cm + spare – so roughly 245cm (+more spare if there was)

One definate tip is while you mark out the strips of fabric – also mark out the markers for where you will join them together – so every 6.5 cm for me. This makes it a lot easier to mark them at the same time – no need for duplicating work – and means you’re sure your glueing/sewing the right place.Thought I had a picture of this – obviously not.

Joining cells

Initially I was going to glue the strips in place but glad I went with sewing as it was sturdier.

I thought that the little hand sewing machine would be able to sew into the squares as I consructed them – but turns out it has one of those fabric advancing feet as standard sewing machines and it moved across – so I had to sew sideways into the squares.

Machine_direction

I would initially sew the squares together – but as the little machine would miss some stitches I’d sew one way and then another – I could turn the machine around with some wrestling.

Since the stitch the machine makes can easily pull out along it’s length – the ends do need to be fastened. Rather than sewing this into the fabric by hand I took the easy route – I glued the blighter’s on ;)

Shame I didn’t take more photos explaining the production really… but I guess the layout is fairly basic.

After finishing the grid I trimmed off the fraying edges and put a little spot of glue at all the intersections to try to stop any more fraying.

Attaching to softbox

My existing grid uses stitched on velcro (hook side) to attach to the rim of the softbox which is lined with the opposite hoop side velcro. As my large softbox has this too – I thought migt as well do something similar.

Rather than sew-on (I don’t think the littlsewing machine could cope with it) I’ve gone for srick-on.

Velcro strip usually start from about 20mm but I thought I’d go for slightly wider 25mm to give more support and even out the weight.

Finished Item

Head-on:

Strip pointing at white seamless without and then with the grid:

Softbox without grid

Without Grid

Softbox with DIY Grid

With Grid

Here’s a view from what I’d roughly say was 45 degrees. The exposure was as the above two shots – no post done to the levels etc.

You can see there’s more light bleed coming from the first column of cells. InitiallyI wasn’t sure why this was – although not exact – my cells were of roughly similar sizes. But I think I’ve figured it out – because the softbox is a wedge shaped – i.e. narrow at the back where the light is, and wide at the front – the side of the softbox the grid is attaching to isn’t perpendicular if looking head on of course – it’s flared. And so the first column/row on both sides and top/bottom will be wider and have a slanted edge.

To Improve

There are a few things I would have done to improve the grid….

Fabric

Although it does a good job – I think I could have looked around a bit more – that of the existing grid is softer and lighter.

Sewing machine

Machine_direction

I was initially tempted to buy a mini-big sewing machine – but rejected it thinking it wouldn’t be able to sew the squares together as they are only 6.5cm square, and the base of the machine would not fit through there.  I also thought the little machine would would sew into the squares, making it easy, but due to the fabric advancing feet I had to sew sideways into the squares. 

To do this I flattened the edges of the squares and this made me realise I could have just dones this with a standard machine!

The little sewing machine was also rather temperamental about making stiches – sometimes the back hook wouldn’t catch – so I doubled up.

Velcro

The velcro attaching the grid to the softbox does come away a little – even though the stick does seem very firm. Looks like I’ll need to sew it a little. Maybe just at regular points rather than al along.

Size of grid cells

Although it does the job – in reality I would prefer that the grid restrict the light more – especially at the edges where I discovered an issue. To do this I would have needed to do one of two things – either make the grid deeper (unlikely as there was no more space to velcro it in and the fabric isn’t THAT firm) or make the squares smaller.

Of course making the squares smaller would mean more sewing and more strips.

While looking up the references to write this blog I came across an old DPreview forum thread I’d started when looking for a grid last year. I’d forgotten someone had linked to a page detailing technical measurements/sizing for grid cells for the angle of light.

http://www.lighttools.com/content/lighttools/CustomPages/technical_data.htm

A 30 or 20 degree grid would have been great, but with 2-3cm squares that would have meant double the amount of sewing. With this little machine – not a task I’d fancy.

Maybe I’ll consider making another with smaller square – but as I’ve not even used this one properly yet – I’ll stick with it for now. Should probably use my time to do other things…… like writing this blog ;)

References (+ other examples)

Material – used their pattern/design

http://adrielhenderson.blogspot.co.uk/2012/01/diy-fabric-soft-box-grid-for-10.html

Gaffer tape  didn’t really use

http://www.diyphotography.net/build-a-huge-grid-from-gaffers-tape


Bullet time + Painting with light

Ok – so you’ve all seen painting with light – some examples better than others.

And you’ve probably seen Matrix-esque “Bullet-time”  setups where there are lots of cameras in a ring all fired at the same time or in very quick succession with the resulting shots turned into an animated gif or video.

Well this is a combination of both :) Pretty Nifty I thought – so sharing.

Originally seen via Peta Pixel.

Pulitzer Prize 2012

Well …. seems I’ve been passed over again ;)

Just a quick post to mention that Pulitzer Prize 2012 winners have been announced.

The number of photography awards can vary years to year, this year there are two:

 Feature Photography – Craig F. Walker of The Denver Post

Breaking News Photography – Massoud Hossaini of Agence France-Presse

Here’s the winner for Breaking News Photography (see above link for more details):

Ashural Bombing - by Massoud Hossaini of AFP

For those interested in the Photography of Pulitzer – there is a book called “Moments – The Pulitzer Prize Winning Photographs” however it’s now out of print so hard to get hold of. Also as years go buy it’s been updated so there are numerous versions of the book too. I have one, think the 2002 version – I’ve yet to go through it in detail. I THINK there might be a version from 2007.

 

Kezia Argue Designs – Product shoot

I seem to be doing a few product shoots recently. As I don’t really advertise or sell myself other than having a website or this blog (no facebook page even!) they’re either for friends or friends of friends. About a fortnight ago I did a shoot for my friend Kezia who I’ve known for a while but more so since moving to Peckham – she lives around the corner and gives me Jive lessons :)

She’s beed doing wigs, hats and head pieces for a while but has just launched her new website : Kezia Argue Designs and needed some photos for it – getting “pro” quality and standardised photos, and so I was happy to oblige.

Here’s one of each that I did for her:

We tried doing the white hats on white background and it worked mostly but they certainly stood out more on blackground, but especially with the netting.

The trick with a white background is to over-expose it just enough so that it turns to white, but not so much that it affects the item in front of it – and with the netting this was happening.

Her website again : http://kezia-argue.com

And Facebook Page : https://www.facebook.com/keziaarguedesigns

If you fancy one of these or something custom please drop her a line.

Lacing Lilith Latex Couture + Colour Toning

It’s been a long while since I’ve put something up on my main site but I’ve finally done it!

I had a shoot with with friends from Lacing Lilith Latex Couture over a year ago now! At the time they said they’d do the editing for their own site and so the set went to the back of my editing queue. But of late I’ve been managing to get through things and so came around to this set. Lacing lilith crew specifically asked me to do a fairly basic setup – with a plain light background which would allow them greater flexibility for edits – and so this also gave me such an opportunity.

Up to now my editing has been if not basic, certainly standard – possibly retouching on some images but on the whole correcting blemishes and lighting – no special or additional styling styling other than possibly turning an image to Black and White. Having seen many a fashion shoot styled with toning I fancied giving it a try.

There seems to be numerous ways to tone an image – some are basic and will usually only offer a single colour in one layer, while others can add multiple colouring options. Some possible options I found :

  • Fill Layer (Solid Colour): Basic, just adding a solid fill colour, however it’s possible to mask it or change the blend mode to affect one area.
  • Curves : Add a curve and adjust it differently only the individual channels – this allows different colour adjustment throughout the lights to darks.
  • Colour Balance : Add a colour balance layer – adjusting the colour by Highlights, Midtones or Shadows.

While Curves gave more control over which luminosity you’d change – a colour Balance layer seemed to give more control, or easier control over which colours you could choose – and so I mainly used this technique. Here’s an example of one of the adjustment layers I added:

Colour Balance Layer

As I’m new to this I won’t go into an in-depth tutorial and as everybody who tries a new technique I’m probably overdoing it, but c’est la vie.

These are the main steps I used to edit the photos:

  1. Duplicate layer and do a general fix such as hairs, major blemishes, etc
  2. Adjust eyes – brighten, whiten, enhance colour.
  3. Skin, hair and eyes: Smooth skin + background (slightly), sharpen eyes and hair.
  4. Lighten & darken some areas of the subject e.g. hair, clothes etc.
  5. Darken the background
  6. Colour/shade

And a selection:

Sohui wearing Lacing Lilith Latex  Becky Burton wearing Lacing Lilith Latex

Guy wearing Lacing Lilith red Latex Jacket Becky Burton wearing Lacing Lilith Latex

The whole set is here : Lacing Lilith Latex Couture.

Links to some involved:

Clothes

Lacing Lilith : https://www.facebook.com/lacinglilithlatexcouture

Models

Sohui : https://www.facebook.com/pages/Sohui/105472156166190

Becky : https://www.facebook.com/pages/Becky-Burton-Model/116486168372703

MUA

Roseanna Velin : https://www.facebook.com/roseannamakeupartist?ref=ts

Canon 5d Mkiii vs Nikon D800

I’ve considered doing a post on the D800 for a while because I’v ordered it (Woohoo – long awaited upgrade!) but as I’ve not actually got it yet – and no idea when it will turn up as yet – I thought I might as well wait.

But this video popped up on one of my feeds so thought I’d share it too. Rather amusing….

A blog post about me!

…. well kind of.

I took some jewellry photos for my friend Ellie a few years ago and as she’s back into it and blogging – has done a blog about yours truly - Check out Ellie’s Jewellery blog here.

eanjewellery Cufflinks

Ameoba Cufflinks - Silver and Enamel

Lighting stuff like jewellery can be tricky. Stuff you have to keep an eye on:

  • White Balance – be sure everything is of the right colour. A Grey card helps.
  • White background is light, but
  • Silver Jewellery is still visible and shinning, or
  • If on Black – contrast is sufficient.
  • You don’t see obvious light source reflections (soften them using something like a light tent).
  • You don’t see reflections of yourself/kit/room

Will do a post about it and light tents etc sometime, but this is just a quickie for now.

Oh and go buy Ellie’s lovely enamel/silver jewellery. (My sister has had one of her necklaces in the past :) )

New toy – Wacom Intuos 5

My new purchase:

Although I don’t really do retouching* on the majority of my photography, such as events, I have got into it with studio shoots – be it portraits or product shots. A higher standard of image is expected so will go into this level of detail.

When doing this I have on occasion felt that using the mouse hasn’t been the best option and so for a while I’ve thought about trying out a pen tablet. THE name in these is Wacom. They have all kinds of pen tablets from small “fun” tablets up to screen displays that will work as direct editing tools. Being the cheapskate that I am I’ve only been really considering their small fun range – the “Bamboo” range.

However……. Going to Focus on Imaging show last week and being disappointed at not buying anything I wanted (Lens savings weren’t very good; Monitors were out of my price range; background paper not of the size I wanted) I rather succumbed to an impulse to buy one of their new Intuos 5 range  - this is the pro level tablet. Although it was suggested to me that I really should be going for the “Medium” size tablet – I was rather swayed by the prices:

Medium – £329

Small – £166 (down from £199)

Also – the main selling point at the show – they were packaging them with a free wireless kit (usual price £35).

So the above pictures pen-tablet is now sitting on my desk :) Here’s the whole Intuos 5 range which was only introduced at the beginning of the month:

(Yes mine’s the small one)

And the publicity video:

This weekend was mostly spent learning the ins and outs of using it. Mostly how to use the express keys (aka buttons), stylus and adjustment wheel. Have yet to use it properly on retouching but quite possibly this evening sometime. I’ll try to do an update post sometime.

Thought I’d put together a table to compare the “small” tablets currently available in the UK.

Some stats I collected

Bamboo-Pen Bamboo – Pen + touch Fun – pen + touch Intuos 5 Small
Active Area(mm) 147×92 147×92 217×137 157×98
Resolution (lpi) 2540 2540 2540 5080
Pressure levels 1024 1024 1024 2048
Buttons 0 4 0? 6+wheel
Price £48 £75 £90 £166 (£199)

This is soon to change though as Wacom have replaced the existing Bamboo models with the Connect, Capture and Create models in the US – which I assume will be available in Europe in a bit.

*Retouching : What I consider retouching is where you replace specific pixels or only part of the picture – such as cleaning up skin blemishes. For events I usually don’t do this – just lighten/darken/etc the picture as a whole. Usually refer to this as just “editing”. I don’t know if this is a universal definition – but it is mine.

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