Some photos from Friday’s gig at Roundhouse.
I usually love shooting at the Roundhouse as there’s a decent pit and great lighting – but this time the lighting was a LOT darker. Had to work hard – wait for the occasional flash of light within the venue or reflective light back at the artist. Good shots were few and far between.
All Rights Reserved – images can be licensed from Photoshot.
Received the below E-mail last night.
I’m not overly surprised.
Each time I tried a subscription I was ultimately disappointed by it. There were some good articles – don’t get me wrong – wasn’t all bad. But all the bloomin time they would have poor articles about things like SEO. I realise that I’m not the main target audience in that I’m not full time pro and don’t do any marketing – but almost every single time they did an SEO/Internet tools article it would be a brief introduction not going into any great depth or detail. Each time they’d do this it would cover the same well trodden ground. It just smacked of inviting some SEO consultant in to do a free piece – each time they’d obviously start from the beginning and not have enough space (or want to) give specifics. This happened on many such topics not just SEO – woo this is branding, this is SEO, this is Twitter……. then a month or two later …… this is SEO, this is Branding etc etc
There is an alternative – I recently picked up a copy of Photo Professional up from the SWPP convention. From chatting to the guy there – it seemed like several of their staff used to work at Professional Photographer. I’ve bought and read one back copy. Seemed Ok. I did like the fact that they organises all the business into one section, all the gear into one section etc – so if not interested in that you could easily skip it.
But personally – I’m going to go for a digital subscription from the US Magazine – Photo District News a.k.a PDN. Unfortunately PDN doesn’t have a distributor in the UK (I’ve asked several times) and the US to UK postage more than doubles the price – so I’m going to go digital.
The World Press Photo 2015 (best photo of 2014) contest has been announced again.
It’s showing up on my usual blogs and feeds for various reasons.
First off – that it’s been announced of course.
But secondly – of interest to photographers – that it seems 22% of the final shortlisted entries were later excluded upon checking the original files! It sounds like they had quite strict rules on editing. This included hidding elements through dodge and burn, not just cloning etc. Usually I’d say that this would be pushing it a bit far – but I think in press awards I think this is fair – as press pictures should be as true to life as possible. More details in the press release below.
The winning picture (I rarely agree with the overall winner of such competitions but that’s not rare – likely the judges didn’t agree either) is one about Russian gay rights.
Here’s an interesting video about the contest that I happened across. Nice little short critique on a couple of images. I do really like the table top picture.
World Press Photo of the Year 2014, First Prize Contemporary Issues. Photo by Mads Nissen, Denmark, Scanpix/Panos Pictures
A photograph that highlights the difficulties facing sexual minorities in Russia has won the World Press Photo contest’s top prize. ‘Jon and Alex’, from a project called ‘Homophobia in Russia’, shows a ‘intimate moment’ between a gay couple from St. Petersburg and won Danish photographer Mads Nissen the Contemporary Issues category of the competition, as well as the first prize for a single image, netting him 11,500 Euro and Canon DSLR equipment.
The 2015 contest attracted entries from 5692 photographers representing 131 nationalities, and drew in a total of 97,912 pictures. Once again what constitutes an acceptable degree of digital manipulation has been questioned, with a spokesperson reportedly telling UK photo magazine Amateur Photographer that 22% of the short listed entries were rejected by the jury once original files were called in for checking. The World Press Photo foundation published Integrity of the Image (PDF), a paper dealing with the characteristics of image manipulation and the acceptable boundaries last year, which describes what it considers ‘minor/normal/subtle/moderate’ and which acknowledges that defining ‘excessive’ is open to interpretation.
For more information on the winners, the competition and to see a gallery of all the winning entries, visit the World Press Photo website. You can also hear the phone call in which Nissen was told he had won the overall prize.
Just a quick little set of yesterday’s shoot – Rebecca Ferguson performing her new album Lady Sings The Blues live for the ﬁrst time. Venue was tiny – four of us photographers at the back row. Standard stuff – 3 songs, no flash, then out. Should have asked to stay – she sounded wonderful – just didn’t think as the place seemed full.
All Rights Reserved – no use without permission. Other images in the set can be licensed from Photoshot / Retna UK.
While viewing something else on eBay (a short video on Jay Misel) I spotted another video that sounded interesting. One by BBC Scotland in a series called “What do artists do all day?” This on on photographer Albert Watson.
I’ve only started watching it but thought it worthy of sharing. It;s in two parts.
Finding it tricky not to be bemused by his accent – Scottish one minute and American the next.
A new venue for me – Queen Elizabeth Hall on the South Bank.
A really nice venue – all seated and tiered but quite large. The stage was really quite low – I’d say two feet high – so all the photographers (there were four of us) had to scrabble around on hands and knees! My knees/ankles weren’t happy about it. Was a bit tricky for Gaz Coombes since by that point the seats at the bottom had been filled and he kept swapping between the keyboard and standing guitar position. Possible angles were limited for the keyboard position with us all on the ground – I don’t think I got the best position.
The support band were FURS (who I really liked) and just before they came on their tour/manager told us that we could snap away and not adhere to the two songs only rule that we had to go by with Gaz Coombes (previously of Supergrass).
Really liked the lighting at the venue – a nice change from some past venues – although per usual it seemed better for the support than the main act! I guess they tend to prefer more mood/extreme lighting for headliners at most venues.
We (the agency) had been briefed that Gaz Coombes would have a choir for the finale and might be asked to cover it for him/the venue. No call came but I asked the venue if I could still cover it and they Ok’ed it. Rather than shooting from the bottom I went up to the middle tier to get a wider view.
Event was to publicise Gaz Coombes new album – Gaz Coombes – Matador
All Rights Reserved. Images can be licensed through Photoshot/Retna (UK)
Another Brixton Academy gig – which I enjoy as there’s lots of space and their lighting is normally good and professional. Although it can be cold we usually have to wait in a side corridor and usually don’t get to stay which is a shame.
This time – Gerard Way – of My Chemical Romance fame
And No Devotion – the band formed post Lost Prophets
All Rights Reserved. Images can be licensed through Photoshot/Retna (UK)
A nice Rock and roll/rhythm and blues/country/Rockabilly gig at Islington Assembly Hall. Was expecting it to be more lively – but it was fairly relaxed. Would have been a great place to photograph the crowd too as there were lots there dressed up in a Rockabilly style.
There was only two or three of us photographing the show so plenty of space to move around. Lighting was good too with no crazy smoke etc.
The Cactus Blossoms
All Rights Reserved.
Images available to license through Photoshot/Retna (UK)
Going to try to catch up with publishing pictures from some of the gigs I’ve covered.
This one was a gig that I’d looked forward to and specially requested. Although unfortunately Brixton Academy are fairly on the ball at escorting photographers out of the building once they’re done. This isn’t unusual so not something to be upset about. It tends to bee the all seater or larger venues which do this, smaller venues are usually Ok if you behave yourself i.e. put the camera away.
The Die Antwoord show was fairly tricky photography wise – lots of UV and back-lighting. Had hoped the results would be better. Ah well – the other photographers would have had the same issues.
All Rights Reserved – No downloading, linking or use of images without permission. Images available to license from Photoshot / Retna (UK).