Have received a message from dpreview about an offer to get DxO’s FilmPack 3 for free!
This is the previous version of FilmPack – the current one being version 4. But hey – it’s free! Or at least will be until July 4th.
Here’s the message from dpreview. I received it both as an E-mail and alert on dpreview. I’m not sure if the code is personal to myself – and so I’ve obscured most of it.
Hello from dpreview!
You’re receiving this message because our friends at DxO have a special offer that they want to extend to our community. For a limited time, DxO is giving dpreview users the opportunity to download its popular film-emulation software FilmPack 3 free of charge, and is offering a $30 discount on the newer FilmPack 4.
To learn more, or take advantage of this offer, go to http://www.dxo.com/dpreview and enter your email address and the unique verification code, below.
DPR-HEJPAY**** [Daf – I’ve obscured the last 4 characters]
Once you’ve done that, you’ll be directed to a page where you can download the software, and DxO will send you an activation code over email. Your email address will only be used to send you the activation code.
This offer is valid through July 4th, 2014.
I imagine if you sign in to dpreview then you should get a code too.
Here’s a little video that friends and I recorded last June during the London to Brighton Bike ride.
My friend Zoe is the main person behind the UK distribution of Stepper bikes: http://www.3gstepperbike.co.uk. She’d got a team of friends together to do the charity ride on them and asked me if I could do some photography for them. I thought we could do better than just photography – why not video it using the GoPro’s we have at work!
So armed with 6 GoPros and various attachments we kitted out their bikes and one helmet to record it. Needless to say we have HOURS of footage. I’ve only recently found time (and remembered!) to put something together. The internet being what it is with a short attention span I wanted the video to be limited to 3-5 minutes. So I found a suitable song and put a few clips together. Shame it’s so short but it meant only one (long) evening for me.[vimeo http://vimeo.com/63502580]
After producing this someone mentioned that Premiere Pro has a stabilising effect inbuilt – if only I’d known! Don’t fancy re-doing it as I’d have to upload separately and Vimeo free account will only allow one HD video a week.
And a few photos.
Yes I said mouse!
Photographers are used to talking about or reading about pen-tablets – and they have their place – however I personally tend to see this largely as being when you need to do fine detailed work such as cleaning up skin or hair on studio shoots, or table-top product shoots. But for the most part I don’t need to go down to this level of detail – events being the most common example for myself. It may be because I’ve not totally got used to the tablet as yet (I have a Wacom Intuous 5 small).
Before getting my tablet I’d customised my Photoshop so that my most used functions were assigned shortcut keys. I had to assign these in a couple of instances but Photoshop makes this easy as almost anything can be assigned a shortcut key.
My most used actions when editing photos like event photos are:
- Maximize image
And on the whole – that’s it. There will be a few instances when I do other work but those are by far the most common.
As I use layers a lot of these were shift-key combinations i.e. you had to press the shift key down and a letter key to operate the shortcut. These are the shortcut keys I set up, or were in place. Not a lot of thought was put into these initially but it’s what I got used to eventually.
- Levels Layer : Shift-, (shift and comma)
- Curves Layer : Shit-M
- Sharpen : Shift-F (This is the default shortcut for re-doing the last filter done)
- Flatten : Ctrl-Shift-F
Although shortcut keys do certainly quicken the workflow (rather than selecting the item from Photoshop menus or sub-menus) it’s still a bit of a break in the flow – hands need to move, find keys, press them etc. This is especially so when the key-combination isn’t simple to do with one hand and both need to move (this is where I think I should have assigned simpler short-cut keys). So I had the idea of looking to find a mouse that has assignable buttons. Not sure now but I knew they existed – maybe just noticing one in a computer shop when doing something else.
There’s a whole wealth of mice out there with more than the usual 2/3 mouse buttons – a huge amount in fact. They’re called gaming mice. Of course these are directed towards the gamers as they want to do certain actions quickly without swaping hand in case they get blown up ;)…… where’s that key to change weapon *BOOM* – damn game over…. and such like.
They come in all shapes and sizes – some even have customizable shapes ! But their price range also vary significantly.
I had a brief look around and decided on some main requirements:
- At least 3 definable buttons in addition to standard 2
- Wired (don’t see the point of having wireless if it’s never leaving my desk and don’t want to waste batteries)
- Optical (rather than laser – seen some iffy reviews)
- Affordable (I’m not a gear freak in terms of PC stuff so didn’t see the point in spending £100 on a mouse!)
In the end (after looking at specs and reading reviews) I decided to go for the Logitech G400.
I bought it for something like £25/27 (probably Amazon) rather than the £35 listed on the Logitech site.
In addition to the usual 3 buttons (left, right, roller-with click) it has an additional 5 buttons. Two at the side that are assigned to anything and three at the top which are usually assigned to precision/speed.
In the software that comes with it you can assign these to different actions, e.g.:
- Keystroke (single)
- Mouse function
- Media (e.g. play, pause)
- Hotkey (e.g. windows operation e.g. open/close a window)
- Function (e.g. Open windows “My Computer” window)
This picture shows the interface and what I’ve assigned them to/called them:
So they are :
- Levels (New levels layer)
- Curves (New Curves Layer)
- Flat-Filter (Flatten the image and then Sharpen – or last filter)
- Full (Maximise image window)
- Saturation (New Saturation level)
Each one refers to a “Multi Key” combination and one does two things (Flatten + Sharpen). You can do these using the tool/driver to record what you press – so it’s just a matter of clicking record and then doing the key presses. This also records lifting the keys after you’ve done. But one important thing to remember is that on the New layer combinations you also need to press Enter if you want to accept the default name of the window, which I usually do, else you’re left with the new layer prompt. If I want to rename it for a longer edit I can do that later.
So here’s the combination for new Levels Layer as an example (usually Shift-, on the keyboard):
Rest is fairly simple really.
As seen in the first image you can set different button settings for different applications. It does come with some suggested configurations but almost all of these are games …. which I don’t have or have the time to play. Of late I have found that it can struggle to pick up which application I’m using sometime, especially when going from Bridge to CameraRaw and then to Photoshop. I’ll press a button to do something but instead of my assigned function something else will happen e.g. instead of maximising the image the mouse will get more sensitive (quicker). This can be solved by doing a windows alt-tab to swap away and then again back to Photoshop. Annoying sometimes but on the whole the mouse is saving me a lot of time. Very glad I bought it even though I now have a Wacom tablet too.
So I’ve already given a teaser on my shoot with Samantha Stone, I’ve finished editing half the set.
Originally the purpose of the shoot was to experiment with dark and gritty B&W photos, however towards the end we started playing around with Hi-Key photos. We moved on to a medical theme and so I think the “whiteness” suited it. Although most Hi-Key pictures tend to be clean, crisp and light in atmosphere we still wanted the grittiness to the feel.
Now as you’re probably aware – my usual style tends to be dark, hi-contrast (so not strictly low-key, but close) with fairly punchy colours. I occasionally think I should move away from that but often think – hey why push to be something that your not – or do something that isn’t your natural style – so on the whole I’m happy with it BUT variety is also good – so I sometimes like to have a play in other areas. This leads me on to these pictures and the editing of this part of the shoot – not being used to editing in this way I did a fair few variations. Initially this was limited to Black & White – variations such as : even contrast, high Contrast, various curves, shading (I usually prefer sepia and/or blue – which I guess you could describe as “silver” since I tone down the Saturation) – but then later on I had a play at keeping it in colour.
So there are some of those examples – just for one image. I have my favourite and so does Sam, but wondered what others liked. Of course there are no right and wrong answers – just personal preference – but I’m always curious to know what these tend to be.
You can click on them to get a larger image.
To give you a brief description (Photoshop geek stuff) ….
Basic – Just the basic stuff really – nothing too over the top. Less punchy than my usual style.
Soft light – As Basic but with a duplicated layer changed to Soft light. What I think this does is causes the dark areas to go darker, and the light areas lighter. I don’t really use Blending modes much. Don’t know what the difference between this and just upping the contrast.
Harsh Emboss – Some De-saturation with a High-Pass filter to make it look edgy.
“JL” – Both the Emboss and the “JL” methods (and Soft Light to a certain degree) are inspired from tutorials I’ve seen from a great (and young!) photographer called Joey Lawrence. His stuff however is usually fairly dark so a lot more gritty – but I adjusted the techniques for my own liking. Great photographer/retucher though – check out his stuff.
Preference from colour edits:
Actually what the hell, here are some B&W edits.